1Department of Primary and Pre-School Education, Faculty of Education, State University of Malang, Jawa Timur, Indonesia
Abstract: The study aims to describe: (1) the aesthetics of style, packaging, shapes, colors, images, photographs, cultural objects, language diversity and typography, trinkets, and (2) religious aesthetics of wedding invitation card based on the perspective of community in East Java. This is descriptive study with the subjects of wedding invitation card documents in East Java, and they were analyzed based on the principles of fine art. The results showed that: (1) the existence of the wedding invitation cards in East Java is a cultural phenomenon product in Indonesia that has developed in terms of creation of models, shapes, sizes and beauty of the visual elements, in line with the advancement of printing and design technology; (2) the wedding invitation cards have the aesthetic impression and the religious meaning based on the expectation, belief or taste from the creators. The aesthetics of the wedding invitation card were determined by the creation of design, packaging, paper type, color, the size of the invitation card, the visualization of images, ornaments, photographs, text, typography, and trinkets displayed.
Keywords: Religious Aesthetic, Wedding Invitation Card, East Java Community
Ihromi, T.O. (2000). Pokok-pokok Antropologi Budaya. Jakarta: Yayasan Obor Indonesia.
Fatchan, A. & Basrowi. (2004). Pembelotan Kaum Pesantren dan Petani Jawa. Surabaya: Lutfansah Mediatama.
Jazuli. (2008). Paradigma Kontekstual Pendidikan Seni. Surabaya: Unesa University Press.
Karthadinata, D. M. (2004). Seni Sebagai Sistim Budaya; Model Kajian Kesenian Nusantara. Imajinasi Jurnal Seni. Semarang: FBS Unes Semarang, 1.
Moertjipto. (2002). Pengetahuan Sikap, keyakinan dan Perilaku di Kalangan Generasi Muda tentang Perkawinan Tradisional di Jateng. Yogyakarta: Badan Pengembangan Kebudayaan dan Pariwisata, Proyek Pemanfaatan Kebudayaan DIY.
Sachari, A. (2004). Pengantar metodologi Penelitian Budaya Rupa. Jakarta: Penerbit Erlangga.
Saidi, A. I. (2008). Narasi Simbolik Seni Rupa Kontemporer Indonesia. Yogyakarta: Isacbook.
Sadjiman, E. S. (2005). Dasar-dasar Tata Rupa dan Desain (Nirmana). Yogyakarta: Arti Bumi Intaram.
Sedyawati, E. (1983). Seni Dalam Masyarakat Indonesia. Bunga Rampai. Jakarta: Penerbit PT. Gramedia Pustaka.
Spradley, J.P. (1980). Participant Observations. New York: Holt Rinehart and Winston. Suara, M. (2003). Kartu Undangan.
Subinarto, J. (2005). Jurus Kilat Siap-siap Resepsi. Bandung: NEXX Media Inc.
International Journal of Social Sciences & Educational Studies
ISSN 2520-0968 (Online), ISSN 2409-1294 (Print), March 2017, Vol.3, No.4
Copyright © 2014 by Tishk International University, Developed and Designed by RAS Groups and M. Albay (IU Web Office Manager)
replica rolex is among the most international greatest perplexing watch survey of the brand. Put to use fake watches during the world-wide industry is also extremely well known.Customers from all of areas of life really like breitling replica watches. The initial financial investment valuation belongs to the benefits associated with best replica watches.